Showing posts with label rukmani devi. Show all posts
Showing posts with label rukmani devi. Show all posts

Tuesday, March 23, 2010

Rukmani Devi

A documentary film Rukmani Devi, Produced by Government Film Unit, Government Information Department, Sri Lanka
Clips from "Kadavunu Poronduwa" and "Kapati Arakshakaya" directed by J. Singhe restored beautifully by the GFU.
Christy de Mel as Gunapala (the whipped lover) and the mustached authoratarian (Mark Samaranayake or Stanley Mallawarachchi ).
Rukmani Devi (January 15, 1923–September 25, 1978) was a Sri Lankan singer and actress, who was often acclaimed as "The Nightingale of Sri Lanka"[1]. She made it to the silver screen via the stage and had acted in close to 100 films, at the time of her death. Having an equal passion for singing as well as a melodious voice, she was Sri Lanka's foremost female singer in the gramophone era. After her death, she was awarded the Sarasaviya 'Rana Thisara'- Life Time Achievement Award at the 1979 Sarasaviya Awards Festival.
Rukmani Devi, was born as Daisy Rasammah Daniels to a Colombo Chetty Christian family on January 15, 1923 at Ramboda in Nuwara Eliya, Sri Lanka. Second, in a family of five, her father, John Daniel worked on a plantation and her mother, Helen Rose was a teacher.

She grew up in Colombo and had her early education at St. Matthew's School and then moved on to St. Clare's School, Wellawatte.

As a little girl, Daniels showed an inborn talent to sing and dance. At the age of seven she was picked to sing Christmas carols. Impressed with her ability to sing, dance, and also to act, she was selected to perform a main role in a Christmas play, 'The Shoemaker's Wife'.

The stage play was trained and presented by St. Clare's School, Wellawatte.

Watching her play this role much enthusiastically, Walter Abeysinghe, a drama producer sought permission from her father, to invite her to play the lead role of 'Sita' in his drama 'Ramayanaya.' Thus, in 1935 at the age of just 12 years she performed in this stage play, presented by the 'Sinhala Natya Sabha'.

She was married to veteran dramatist, actor and singer, Eddie Jayamanne, whom she fell in love with as a result of her close association with him, when performing in dramas produced by "Minerva Dramatic Club" founded by B. A. W. Jayamanne. They lived at "Jaya Ruk", at Angurukaramulla, Negombo.
his marked the beginning of an illustrious career that would span over four decades. As her performances were highly appreciated by the packed audience, well-known dramatist Dick Dias chose her for two of his stage plays, "Jana Kiharanaya" and "Mayawathie". She was now flooded with stage dramas, as she became Mayawathi in Charles Dias' 'Mayawathi', Juliet in a Sinhala adaption of Romeo and Juliet, playing the lead female role in all of them.

With her first audio recording of the famous song "Siri Buddhagaya Vihare" with Master H. W. Rupasinghe in 1938, she captured the hearts of the masses and she shaped her career from that of an actress to that of an actress turned singer.

Her unique voice attracted many music directors, as her singing career moved from the stage to the silver screen.

It was also, around this time that her name underwent a change from Daisy Daniels to the well known 'Rukmani Devi'. There are two schools of thinking as to how the name "Rukmani Devi" originated. According to one school, the late H. W. Rupasinghe maestro created the name, while the other believe that Jayantha Weerasekara and Michael Sannas Liyanage who is in his 90s, created it[2].

B. A. W. Jayamanne, founder of "Minerva Dramatic Club" of Negombo took Rukmani to perform remarkable roles in his interestingly featured dramas, such as 'Apparition', 'Broken Promise', 'Changing Fate, 'Defeated Aim', 'Evasive Denial', 'Fanatic Faith', 'Grisly Guardian', 'Hasty Decision' and lastly 'Irangani'. Above-mentioned plays followed the English alphabet.

The popular play 'Broken Promise', was adapted into a film by B. A. W. Jayamanne. This was the first Sinhala film - Kadawunu Poronduwa, screened on January 21, 1947. Rukmani Devi, who also began her film career through the role of 'Ranjani' in this film, also became the first local actress. Her film career, which thus began spread over a period of more than three decades.

According to Sri Lankeya Cinema Vanshaya (pp 637 - 638) written by Nuwan Nayanajith Kumara, from Kadawunu Poronduwa in 1947 to Ara Soyza in 1984, Rukmani Devi had played different roles in 99 films, up to the time of her death.

An equally talented singer, some of the immortal songs she sang for films are Sandyave Sriya for 'Kadawunu Poronduwa', Pinsara Mage Soyura for 'Kapati Arakshakaya', Gala Kandeni, and Moranawa Preme Hade for 'Weradun Kurumanama', Nindede Rathri Yahane for 'Peralena Iranama', Mavila Pena vi Rupe for 'Kela Handa', Pem Sihina Loke Maya for 'Mathabhedaya', Melavi Yanna Hada Mage for 'Daiva Yogaya', Suva dena Sita Sanasum for 'Ladalu' and Doi Doi Puta for 'Ahasin Polavata'.

In the mid sixties she joined the sinhala calypso musical group 'Los Cabelleros' led by late Neville Fernando. They recorderd ever popular sinhala songs such as 'Malbara Himidiriye','Menike Obe sinawe' & 'Sandak nage'.

Rukmani Devi was also featured prominently on the airwaves of Radio Ceylon, the oldest radio station in South Asia.
[edit] Death

Rukmani Devi, the singing star, stage and screen idol died in a tragic motor accident near St. Mary's Church, Thudella on September 25, 1978. She was returning after a musical show in Uyanwatte, Matara. Her funeral ceremony was attended by a very large gathering; film makers and dramatists, friends, politicians, relatives and her beloved fans.

She was the most celebrated Sri Lankan artiste and a statue in memory of her was erected at the Kanuwana Junction, Ja-Ela, as she still lives in the hearts and minds of the Sri Lankan people. The road on which the Rukmani Devi Museum in Negombo is located was also re-named 'Rukmani Devi Mawatha' by President Ranasinghe Premadasa, on October 28, 1990.

Wednesday, July 22, 2009

Nevil Fernando

MATHAKA SUWANDA….

will be remembered of those our Srilankan sinhala artists…this is only a few collection…i hope to add more and updated weekly…



Tuesday, July 21, 2009

Rukmani Devii

Rukmani Devi –

Thirty (30) years have lapsed since the startling news on the unendurable demise of the acclaimed the Nightingale Queen of Silver Screen shocked the entire country on October 28, 1978. Every Sri Lankan around the world was emotionally disturbed by this horrifying accident that stilled the colorful life of a legendary jewel worthy of treasure. She was the beauty queen, cynosure of all eyes indisputably the Nightingale Queen of the Silver Screen – Rukmani Devi.







The brimful gratitude disported by the Sri Lankan citizenry paying their highest tribute in commemoration of Death Anniversary of Rukmani.



Rukmani Devi - Nightingale Queen of the Silver Screen



She became popular in the theatrical arena by the name of Rukmani Devi even though her congenital name was Daisy Rasamma Daniels. It has been the common practice in Sri Lanka and India to introduce the artist by a prognostic name depending on talents. It is believed that it was her father who introduced the portentous name Rukmani Devi to this future Singing Queen of the Silver Screen.



Some people are of the view that her music teacher, singer H.W.Rupasinghe master introduced this insightful name by her magnificent performance of many inborn talents. Another disputing argument is that this name was presented by Jayantha Weerasekera and Michael Sannas Liyanage two famous personalities on the stage. Rukmani Vasundara was another unconfirmed name rejected by her father.



Daisy was born on January 15th of 1923 in Ramboda Nuwar Eliya to the parents of Colombo Chetty Christians as the second daughter in a family of six. In response to an article appeared in the Ceylon Observer of January 15, 2006 on her 83rd Birth Anniversary, Mr W.R.Daniels – Manager of Ceylon Observer for many years, a kinsman of Rukmani Devi wrote a letter to Sunday Observer of 5th February 2006 revealing that that she was born to Mr & Mrs Daniels in Inuvil, Jaffna. There was another speculation that she was born in Ratnapura.



Although she was born in Nuwara-Eliya she grew up in Wellawatte, Colombo, studied at St.Mathew’s School and St Clare’s School, Wellawatte. At 8 years of age, she began singing Christmas Carol songs and played a role in popular drama “The Shoemaker’s Wife”. She was just 12 years of age when she remarkably played the main female role of ‘Sita’ in Ramayanaya produced by Walter Abeysinghe in 1935 with prior permission of her father. and also performed in Janakiharanaya, Rohini, “Sirisangabo”, “Mayawathie”, “Romeo Juliet” et al during 1935 to 40’s.



In early 1940s she joined the Minerva Dramatic Club on permanent basis. She played the major role in every drama produced by the Minerva Dramatic Club in the entire country. On introduction of cinematic industry in Sri Lanka she was privileged to feature her skills on the screen in B.A.W.Jayamanne’s Kadawunu Poronduwa, the first Sinhala film ever screened in the island.



On account of her tight schedule of contract with film industry, she was compelled to leave the stage in the latter part of 1940s and 1960s.



She returned to the stage again in 1960 acting in the leading female role in Malyahanawa produced and directed by B.A.W.Jayamanne. Since then she continued to perform in Vessantara in 1961 followed by Othello, Ves Muhunu, Angulimala and Allapu Kamaraya. Accredited with ineffable versatility, her performance in ‘He comes from Jaffna’ a drama produced in English dialogue for the benefit of English speaking audience had gained credentials of high reputation.



In the latter part of 1946, competition in screening the first film was so intense between Ceylon Theaters Limited and A.V.Nayagam Industries since they both controlled the distribution of films.



A.V.Nayagam braving storms against his effort with his influence signed the contract with Minerva Dramatic Group and “Kadawunu Poronduwa” the first film was screened on January 21, 1947 making history of film industry in Sri Lanka. Rukmani Devi the most talented artist in her debut on the silver screen captured the hearts of young and old in the spellbound audience by her indomitable brilliancy in playback singing, acting and dancing performance.



During the period 1947 to1978 she demonstrated her skills in 98 films. Most importantly, she played the major role of Queen of Love in all the films from Kadawunu Poronduwa to Magul Poruwa subsequently with passage of time she turned into elderly characters by the emergence of new generation.



At the outset, she was bonded with responsibility for performance only in films produced by Minerva Dramatic Group. But later her popularity glorified in absolute demand that she was offered to play the heroine role of Malini in the famous novel Kelahanda written by W.A.Silva produced and directed by B.A.W..Jayamanne. Blessed with abundance of humility she performed the major female role in ‘Doctor’ a film produced by Cinemas Limited. She was the only actress who made a record-breaking achievement in playback singing behind her own character in all these films.



Sengawunu Pilithura, a Sinhala film produced and directed by B.A.W.Jayamanne was a resounding success. B.A.W’s intent was to film the same story of Sengawunu Pilithura in Tamil dialogue for the entertainment of the Tamil speaking audience as revealed by D.V.Seneviratne, the professional script writer.



In fruition of his ambition, Kusumalatha the leading character played by Rukmani Devi the first Sri Lankan artist to appear on Tamil screen was produced and directed by B.A.W. in 1952. Kathiruppean Unnakaga (I am waiting for you) in 1977 and Nan Ungal Tholan (I am your friend) in 1978 were the other two Tamil films of her talented career. She was a gifted artist capable of expression of dialogue in fluent Sinhala, Tamil and English languages.



Records indicate that the two films Siriyalatha and Mathabhedaya were joint productions of B.A.W. Jayamanne, Eddie Jayamanne and Rukmani Devi with box office collection.



At the time of the initial stages of the beginning of cinema in India and Sri Lanka it was the practice for the main actress to perform playback singing behind her own character on the screen. Noorjehan and Suraiya predominantly influenced the Indian screen while Rukmani Devi resembled in Sri Lanka. A reservoir of inborn talents not only dominated the queen of love on the silver screen particularly from Kadawunu Poronduwa to Pipena Kumudu throughout but also excelled as the only symbolic playback singer representing her own acting performance. Gala kandeni mathuwena, Moranawa preme hade, Anna sudo, Mewila penevi, Aadara nadiya gala, Vasanawantha kala labaa and Manahara geetha gayala together with much more songs will reverberate in our memories from generation to generation.



This incontrovertible beauty queen won the Presidential Film Award for the Best Playback Singer in 1979 for her brilliant performance of the lullaby song Doi Doi Doi Doiya Putha singing behind her own elderly role played in Ahasin Polowata directed by the great Dr Lester James Peiris. She played an elderly character in Chin Chin Nona also singing with Milton Perera and M.S.Fernando.



The popular Hindi film Devatha, the main female role played by Indian film star Anjali Devi, was dubbed into Sinhala as Pathiwatha (Chastity). She was honored with five songs in Pathiwatha and continued playback singing in Hadawath Neththo, Kadawunu Poronduwa (new cast) and Rahas Dupatha. It was her inspirational contribution to film industry by her fascinating performance on the screen in about 30 films and playback singing that she was crowned as the invincible Singing Queen of the Silver Screen.



Rukmani Devi at the height of her achievement in popularity wrote her autobiography Mage Viththi (My Life Story) in 1956 with a full coverage of information gathered from various newspaper articles appeared from time to time.



It is believed that our popular film star/playback singer maintained a cordial friendship with her contemporaries world acclaimed Indian film stars Dilip Kumar, Raj Kapoor, Dev Anand, Ashok Kumar, Nargis, and the Nightingale of India Lata Mangeshkar and many others.



It was a pristine glory for Rukmani Devi to have her photograph on the front page of the world recognized Indian Film Fare Magazine. She was the only Sri Lankan artiste to be honored by this international magazine. She was also featured in “ My Likes and Dislikes” column in Film Fare Magazine in 1958.



In a gallop poll conducted by Dinamina newspaper in 1955 she was elected the Most Popular Actress with a record majority of 13,000 votes over the first runner up. The Best Actress Award for her role Malini in the famous film Kela Handa was awarded to her at the Deepasika Film Festival in 1956. Accolades were flying one after the other for her outstanding contribution to the film industry. In 1966 Janatha Sammana was presented for the most popular Female Playback Singer at the Sarasaviya Film Festival.



She was felicitated with Deeparani Special Award at the Deepasika Film Festival in 1972 in recognition of her skilled character on the stage and the screen. In 1996 she was posthumously awarded with Sarasavi Sammana on her immeasurable contribution made in her capacity as the Silver Screen Idol of the era.



She was married to Eddie Jayamanne the renowned comedian of the Sinhala screen. The narration of their clandestine love marriage would be a highly desirable story for a film to attract a spellbound audience.



The issue of a commemorative stamp by the government, a distinctive tribute paid to the rare and precious greatness of a person, is the truest manifestation of highest regard to this immortal heroine of the silver screen. The memorial statue erected at Kanuwana intersection, Ja-Ela where the fatal accident occurred is the best example of a noble act of gratefulness by the nation demonstrated in deed when the good is relegated into the limbo of forgotten things in modern society. On behalf of the nation Rukmani Devi Museum and Rukmani Devi Mawatha in Negombo were opened with highest respect to this immaculate artist.



Words cannot express the high respect of the people moved by the example of her mighty ocean of humanity. She was a colossal image affluent with empathic generosity. The true sense of dignity was portrayed by her kindness in gifting a Morris Minor car to her driver Denzil out of the excellent pay received in recognition of her exhilarating performance of the main female character Malini in Kela Handa film.



Her fragrance of excellent qualities will remain etched in lasting memories of the entire Sri Lankan nation. Rukmani Devi was a proud daughter of Mother Lanka. She is immortal.



-Asian Tribune -